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Handel

The Twelve Days of Christmas - Male A Cappella

Jesse David Sykes

5:47	Est. Play Time
216	Measures
	2,376Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor		20	0	1	10	97%
		15	0	2	8	83%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Tenor		20	0	1	10	97%
		15	0	2	8	83%
Baritone		12	0	2	9	95%
Bass		15	0	3	8	76%

Handel Concerto Grosso Op.6 No.12 in B minor - Violin 1 Concertino

WillXiao

20:24	Est. Play Time
262	Measures
	1,416Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	0	10	11	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	0	10	11	100%

Handel - Trio Sonata VIII (Transcribed for Piano)

Fake Your Death

8:54	Est. Play Time
279	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		29	20	10	11	99%
		27	4	9	7	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Grand Piano		29	20	10	11	99%
		27	4	9	7	100%

Händel - Lascia Ch'io Pianga, for Baroque Flute (A=415)

Hyeon Kim

3:45	Est. Play Time
80	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	21	3	8	100%
		16	17	3	5	100%
Flute		12	0	4	11	70%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		16	21	3	8	100%
		16	17	3	5	100%
Flute		12	0	4	11	70%

Handel Concerto Grosso Op.6 no.12 in B minor - Violin 1 Ripieno

WillXiao

20:24	Est. Play Time
262	Measures
	1,152Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	0	10	11	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Piano		29	0	10	11	100%

Händel - Lascia Ch'io Pianga, for Flute and Cello

Hyeon Kim

3:36	Est. Play Time
72	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		18	17	3	6	100%
		16	6	2	5	99%
View all 4 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harp		18	17	3	6	100%
		16	6	2	5	99%
Cello		20	0	2	8	89%
Flute		15	0	3	11	89%

The Trumpet Shall Sound (From Handel's "Messiah Oratorio" HWV 56, Part III, Scenes I and II)

Classical Music Central

5:46	Est. Play Time
223	Measures
	2,687Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone Saxophone		27	0	7	8	98%
Tenor Saxophone		19	0	4	8	97%
View all 14 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Baritone Saxophone		27	0	7	8	98%
Tenor Saxophone		19	0	4	8	97%
B♭ Clarinet		23	0	5	10	96%
		6	0	1	5	4%
Flute		23	0	5	10	96%
		6	0	1	5	4%
Alto Saxophone		27	0	5	10	96%
Tuba		21	0	5	7	94%
Horn in F		22	0	5	9	92%
		22	0	5	8	89%
B♭ Trumpet		19	0	5	9	78%
		7	0	1	5	4%
Baritone		16	0	4	7	67%
Bassoon		7	0	1	5	4%

Sonata 2 (HWV 360)

Norman Schmidt

10:05	Est. Play Time
125	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		18	0	5	11	100%
		25	0	8	10	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		18	0	5	11	100%
		25	0	8	10	100%

Sonata 3 (HWV 361)

Norman Schmidt

6:57	Est. Play Time
115	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		25	3	7	11	100%
		22	1	6	8	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		25	3	7	11	100%
		22	1	6	8	100%

Sonata 1 (HWV 359)

Norman Schmidt

7:09	Est. Play Time
156	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		29	0	12	13	100%
		27	1	9	9	100%

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
MusicXML Part		29	0	12	13	100%
		27	1	9	9	100%

HWV63A0 - Judas Maccabeus (1746) Overture in g minor

edward.maurath

11:07	Est. Play Time
186	Measures
	2,568Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1		26	0	9	10	97%
Violini 2		27	0	9	10	94%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violini 1		26	0	9	10	97%
Violini 2		27	0	9	10	94%
Viole		18	0	4	8	83%
Contrabassi Continuo		25	0	10	10	81%
Violoncelli Continuo		25	0	10	10	81%
Bassoon Continuo		26	0	10	10	45%
Oboe 1		22	0	8	9	45%
Organo		16	39	5	9	40%
		20	1	5	9	41%
Cembalo Continuo		17	42	5	6	30%
		20	4	3	6	30%
Oboe 2		18	0	5	7	26%

HWV61A2N46 - Regard, O son, my flowing tears

edward.maurath

6:48	Est. Play Time
41	Measures

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi		22	58	7	7	99%
		33	57	13	8	99%
View all 7 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Harpsi		22	58	7	7	99%
		33	57	13	8	99%
Cello		23	0	7	10	98%
NITOCRIS		16	0	6	9	76%
Violin		23	2	9	9	71%
Violoncellos		17	0	5	9	69%
Violone		17	0	5	9	69%

Concerto for Viola, Cello, and Orchestra in C minor, Op. 17: I. Con brio

Armin Thomas

7:43	Est. Play Time
280	Measures
	2,886Kb

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1		34	3	15	9	76%
Cellos		28	4	13	9	76%
View all 12 Parts

		Unique Notes	Unique Chords	Unique Accidentals	Rhythmic Complexity	Percent Played
Violins 1		34	3	15	9	76%
Cellos		28	4	13	9	76%
Violas		21	0	10	7	76%
Violins 2		27	0	11	8	75%
Horn in F		22	0	7	8	47%
1.2. Clarinet in B		29	2	10	6	47%
Flute		24	0	10	8	42%
Trumpet in B		24	0	7	8	38%
Oboe		32	0	13	7	36%
Solo Viola		35	14	16	10	27%
Solo cello		32	7	17	10	24%
Timpani		11	0	4	6	12%

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